Kaadhal is a film that deserves to be much more widely known.

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His love life is the aspect in prime focus -- while we are presented with nuggets of other development also.

But after small time he escaped from the jail and come to the.

The combined effort of Ram, friends and the police lead to tracking down the real killer.

Subramaniapuram not just marks the beginning is a birth of new streamline of extraordinary film.

When the principal asks him to invite the Governor of the state, Ranjit Singh Rathore, to be the.

Faced with the imminent threat of an arranged marriage with an American groom she persuades Murugan to elope with her to Chennai where they take refuge with his former school friend in a mens hostel.

Muthukumar Produced by: Joshua Sridhar Performed by: Haricharan See more.

It is certainly a highly realistic portrayal of urban life in southern India and, as such, is rare enough in itself.

The omnipresence even in large towns of a small town mentality, of watching eyes and busybodies ready to intervene at the slightest infraction of social codes.

The absence of any places for young people to meet and be alone.

It is this atmosphere that Shaktivel catches so masterfully in the film.

The way the camera allows us to see the gossiping women, the staring eyes, the curious neighbours at every stage of the film is an absolute marvel and creates better than any explanation could that stifling atmosphere of permanent surveillance of which my young friends had complained.

The magnificently realised scenes in the mens hostel are a sense the key moment of the film and the grimly farcical search for even a moment of intimacy (just so the girl can have a pee in the first instance) are actually very symbolic of this micro-political theme that runs through the film.

The way a mini-flashback is used to show us a little of the history of the various men in the hostel and acquaint the audience with its inmates shows a deftness and economy that is characteristic of Shaktivels thoughtful approach to directing.

The macro-political theme (the conflicts of class and caste) is equally well done.

The superb scene in the car where the hypocritical uncle show his true colours is terrifyingly real and more frightening in its way than more overtly violent scenes elsewhere in the film.

The acting is consistently good (from the young boy at the garage to the friend in Chennai, from the grandmother from hell to the creepy uncle and the brutal father).

The principals are both very good but the acting of Bharath is really exceptional.

There is not a single moment where he overacts (and there are opportunities in plenty) or uses facile mannerisms or unnecessary gestures.

It is a piece of naturalistic acting of the very first order (and a later Bharath film I have seen where ha plays a deaf and dumb boy - though not in itself such a good film - very much confirms his stature as an actor).

Bharath Kadhal Movie Download